Thursday 12 February 2015

Contents Concept

Sketch

For the contents I want to use a slightly less conventional format, with a main image accompanied by three subsidiary images on the left. Instead of the word 'Contents', I've used the phrase 'Welcome to TNV' to help give the magazine its own style.

The magazine date and issue number are also at the top of the page where they will be more easily noticed. The bulk of the content information will be at the bottom of the page, just above the page number.


Friday 6 February 2015

DPS Drafts


Draft One

For this draft I changed parts of the flat plan to a red colour and inserted the high angle shot of the model. I then covered the right page in a dark overlay and refined its edges to create a blur effect. The text was then added in a simple format, with dropped shadows to help it stand out.




Draft Two

Upon receiving constructive criticism, I've made some changes to the spread. I used colder colours and overlays to make the overall image feel more natural, filled some empty space beside the headline, repositioned the quote and added a stand-first to open the article.
There's also two columns for the article now, rather than a wall of text like the previous draft, with a darker backdrop behind it, and the old photograph has been replaced by one of higher quality.




Draft Three

The colour of the photograph has been changed moderately so that it fits in more with the overall red colour scheme. The title has been shortened to fit firmly onto the right page, and a proper stand-first has been added that actually summarises the editorial.
I've also removed most of the gaps between the paragraphs and included editorial and photography credit.

Thursday 5 February 2015

DPS Article Draft

Adam Kowalski and I are taking a leisurely walk through a forest in what seems to be the middle of nowhere, as the artist loosely hums the refrain melody from Nirvana's hit, 'Smells Like Teen Spirit'. We weave through the path, while he stares blankly into space, detached from the living world around him. He suddenly points leftward;

"Let's go that way," he says.

The man continues humming, albeit to a completely different rhythm - as if he'd just switched channels. 26, Polish-born in 1988, Adam now calls London his home, and has returned to the path he used to walk as a youth.
I ask for any inside info related to anything he's working on, and he pulls out his phone, and plays a sound all too familiar, yet unique in its own way. Distorted electric guitars, a slow tempo, and that raw sound that almost made the grunge genre its own art form. His band, 'Growing Pains' is going strong for their upcoming third album.

As the music plays, we come to a grinding halt before the small excavation site ahead. A large digger takes its time, backing up across our road forward.
"A lot of construction work goes on here, nowadays," he tells me to pass the time.
I cunningly remind him of the 'reconstruction' that he's been working between himself and weed. His face lights up briefly with a smile, before returning to its default, preoccupied state.

"Yeah, drugs are bad," he mentions jokingly, "After our first album succeeded, we - I kind of fell off." It was as if he were confessing this for the first time. It's no secret, however, that the band entered the mainstream in a bang, before fading back into obscurity in 2010. When the lead singer of a band goes out on drugs, it's bad news for those left behind. And the weed was only the beginning. Adam had entered a world of drugs he'd never seen before, and fell off the radar for what felt like a long time.

"We attempted a comeback in... late 2012, to early '13..." he didn't finish that particular sentence - but he didn't need to. It is known that Growing Pains released a second album in January 2013 that didn't show up on the radar in the first place.

"Ghosts," he  mumbled, "We were unheard from again. And people wrote us off as a one-hit-wonder, but things go way deeper than that."

"There was a lot going on back then that doesn't reach the surface, really. People say I let the fame get to my head, but there was a whirlwind of trouble that threw me off the spot light. Trust was lost, relationships ceased. Those were bleak times."

It's clear that at this point, he feels the world is sleeping on him.
It also seems that the band has been working very, very hard on this next release.
To ease the mood, I chime in to remind him of the times when the people referred to Growing Pains as the second coming of Nirvana.

"Forget that," Adam shrugs, "We don't want to be known as the second anything. We want to be number one, we want to be better than Nirvana."

The excavator finally began to haul itself out of our sight, and as we marched on, Adam continued;

"...And I want to live past the age of 27."

We both laughed heartily as we looked forward, to a time when hopefully Adam and his band release a great album that will return alternative rock to the mainstream.

Fingers crossed.

DPS Photoshoot


I started taking photographs of the model with the possibility of him being on the cover. I wanted to take mid shots with natural scenery in the background.
This shot was more of a close-up than a mid shot, but it's still usable.

It's more appropriate to call this mid shot, and I got to capture more of the surrounding environment, including buildings. I tried to keep the model in the depth of field, while keeping the background out of focus.
I'm satisfied with the outcome.

This shot was taken with the DPS in mind. The model was positioned to the left of a tree as I wanted the photograph to span over the entire double-page spread, with the article over the tree.
Even though the model is on the left, his is still the focal point of the photograph.

Another DPS shot, with a skyline in stead of a high angle shot like the previous one. While I used a high angle for the photo above to make the reader empathise with the model, I had him look sad in this image to try and emulate that effect.

This close up was taken as potential cover material, and I positioned the model facing away from the sun to help make him stand out from the bright background.
The bounced lighting around the model's hair and shoulders also looks nice.

Yet another shot of the model looking sad. This shot is a close up, but not to the extent of the previous image.
This shot was purely experimental, and probably won't appear in the magazine, but overall I don't think it was bad.

Here is a miscellaneous sub-image that I can use on any page.

This is another disposable image that can make an appearance.

This misc. photo is being used as an album cover for another page.

DPS Concept

Sketch

The model will be allocated to the left page as I want the reader to examine the image before reading the article. He will look at the camera with a sad look on his face, with a heading and quote above him and a page number below.

The right page will consist of an article, accompanied by the subheading and its own page number. At the lower right corner will be the magazine logo. This is an attempt at a simple, orderly composition, that will hopefully help make the magazine appear professional and classy.


Fonts - DPS Headline

DPS Headline Draft

Fonts: Mortuary and PunkRockShow

The theme of the Article is the impact of drugs on a growing artist, so I've used the headline 'Growing Pains' to set the tone. I wanted to use a classy font to represent growth, alongside a grunge font that connote pain, but they didn't mesh well and one of the fonts were already used for the Masthead.



Final DPS Headline

Fonts: Newsflash and Outliner No. 45

I continued experimenting with clean fonts for growth and gritty fonts for pain, and eventually used two sans-serif fonts as they're generally better for logos, headlines and such since they're visually appealing to look at, rather than easy to read.

I've warped the word 'growing' to make it bulge as it approaches the word 'pains' which creates a stronger thematic link, as the text itself mimics growth. I also used contrasting colours for each word; White for growth, as it's seen as a pure and natural - and Red for pain, which is the same colour as our blood.

Sunday 1 February 2015

Fonts - Masthead

First Masthead Draft

Font: Wretched Remains

I first experimented with a rough-looking font that could represent the Grunge of Alternative Rock music, but the Masthead ended up looking messy and rather difficult to read. The text on the left is the entire masthead, while the 'TNV' on the right is it's abbreviated form that will appear on the DPS.



Second Masthead Draft

Font: Straight to Hell

I found a more lean font and changed the Masthead's composition. Instead of the title spanning across the entire page, the words have been shoved to the left side, much like Q, NME and XXL have done. However, I still thought that the font is inappropriate for a Masthead, so I didn't pick this one.



Third Masthead Draft

Fonts: Mortuary and Questa

This font is a lot cleaner than the previous two, and it even has serifs, like the audience preferred. I added the word 'magazine' beneath the title so the overall Masthead could look more professional, and a red border to the abbreviated icon for a similar purpose.



Final Masthead

Fonts: Mortuary and Questa